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  Home > ¹®ÀÇ °Ô½ÃÆÇ ´äº¯

No Á¦ ¸ñ ÀÌ ¸§ Á¶È¸¼ö ÀÔ·ÂÀϽÃ
4703 our collective fascination collecti 0 2019-12-18 07:07
³» ¿ë
As a rag-tag bunch of jazz-loving kgitbank=¾ÆÀÌƼ¹ðÅ©Á¾·ÎÁ¡
felines observed back in Disney¡¯s 1970 classic The Aristocats, ¡°everybody wants to be a cat¡±. Certainly that seems to be the case in Tom Hooper¡¯s Cats, his adaptation of Andrew Lloyd Webber¡¯s musical which features the likes of Taylor Swift, ´ä·Ê¶±=´ä·ÊÇ° ´ä·Ê¶± Çà»ç¶± ±îÄ¡¶±
Dame Judi Dench, James Corden, Idris Elba and Sir Ian McKellen donning whiskers and so-called ¡®digital fur technology¡¯ to gleefully leap around and sing about the joys of feline frolicking.
While the world will finally bear witness to Hooper¡¯s vision ¼ººÏµ¿Æ÷ÀåÀÌ»ç
from Friday, it¡¯s worth remembering that our collective fascination with cats at the cinema has existed for quite some time. Although dogs are frequently regarded as man¡¯s best friend, perhaps, in film at least, it¡¯s time to make the Áõ»êµ¿Æ÷ÀåÀÌ»ç
case for kitties ? who might not earn top billing, but always find a way to pull focus.
After all, long before the internet gave birth to viral animal videos and the concept of lolcats, filmmakers were capitalising on the inherent appeal of felines on screen. One of the º¸Å×°¡º£³×Ÿ¿©¼ºÁö°©=º¸Å×°¡º£³×Ÿ¿©¼ºÁö°©
earliest known short films, produced by Thomas Edison¡¯s pioneering New Jersey film studio in July 1894

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